Home

About the Artist

Paintings

Workshops

Guest Artists

Blog

Email Newsletter

Contact the Artist

News

Do You Prefer to Sell Through A Gallery?

Since I've been writing a lot lately about the pros and cons of working with commercial galleries, I'm wondering how artists feel about the idea of working with gallery dealers.

If you feel so inclined, I'd love to hear what you think about working with galleries: If you already work with one, are you enjoying the relationship? What, if anything would you change if you had the choice? Are you pleased with the results? Do you have suggestions for how gallery owners could increase sales and promote their artists.

My second set of questions: If you could work with any commercial gallery in the world, which one would it be? If  you've never worked with a gallery, do you think you would be or feel more successful if you did?

Have you been working with galleries - but would like to begin selling on your own?

Have you been selling on your own, but would like to begin working with galleries?

Please share your ideas and experiences here on the comments section of this blog. I'm not just looking to fill my comment area with posts - I really would like to know what venue working artists prefer for their sales.

Thanks for your time,
Lori
Comment on or Share this Article >>

New Writing Opportunities

Fine Art Views Daily Newsletter

This morning, I wrote my weekly blog for the Fine Art Views e-newsletter. The latest blog: "Why I Love Twitter". If you don't yet subscribe to this free newsletter, try it out. It has daily advice about art marketing and living the professional artist's life from several authors.

Go to: http://fineartviews.com   and click to join. You can also click on "past issues" to see some of the posts that were written previously. I write for this publication once a week. Other regular contributors are Keith Bond, Daniel Keys, and of course Clint Watson.

American Artist Magazine's Online Forum

In August, American Artists' Online Forum is setting a space for me as one of their contributing blog authors. I'm honored to have such a position because all the other authors at this time are editors for American Artist. I will contribute one blog twice a month - about art marketing, time management for right-brainers and painting tips - things I've learned from my mentors.

http://forums.myamericanartist.com

Watercolor Magazine

For the next two years or so, the editor of Watercolor Magazine (also an American Artist publication) has asked that I continue writing my instructional column there. My plan is to offer step by step tutorials on topics such as landscape composition, how to paint landscape and still life objects - and how to handle flesh colors with watermedia on paper.

Using Twitter

Finally, if you haven't joined twitter yet, here is a link to a short tutorial for beginners. Whenever I write a new blog post, I announce it first on twitter - the fastest way to get information around the world via the Internet. I also "tweet" with links to other artist blogs that I find interesting. At this writing, I have 450 or so followers on Twitter. You can access my page at: http://twitter.com/Loriwords

Below is the Link to the Tutorial:

http://www.twitip.com/10-easy-steps-for-twitter-beginners/

As always, you can see my latest artwork on my "collectors website": http://lwsimons.com
Comment on or Share this Article >>

Do We Hire Galleries?

This morning, I read a post by Stapleton Kearns, a successful artist who's been working with galleries for many years. I do agree with his viewpoint about the artist/gallery relationship, and with the Internet, more power has now transferred into artists' hands.

Who is the CEO of Your Artwork?

As a professional artist, I have always seen myself as the CEO of my business.  I have many times been able to sell my work on my own, but at times have worked with galleries, mostly in resort areas, so that I can reach an audience of collectors that I might not otherwise have access to. In essence the gallery becomes one of my retail outlets, and although "outlet" may sound overly commercial for works of art - that's exactly what they are in a business sense.

Who Pays The Commission To Whom?

These retail galleries sell the work of artists, and I don't believe they "take" a commission, rather I think we pay them a commission when they sell our work. As Stapleton states in his recent post, we hire a gallery to sell our work, and we can fire them if they don't do a good job of selling for us. I'll add that legally, we artists own the work we create until it is sold, and even after that, we own the copyright.

You can Fire Your Gallery


So why is it that we're so easily pushed around by some gallerists?  It really boils down to self esteem... are we willing to give up some of our power as business owners to add a gallery name to our resume? When entering a gallery relationship, I say we shouldn't give up any rights or feel like we're being used.

Does The Gallery Deserve a 50% Commission?

On the other hand, if my gallery puts my work in national ads, pays for food at art openings that feature my work and offers other incentives, I'm willing to pay a 40 - 50% commission. BUT, if I'm paying 50% just to hang my work with no other sevices, that's rather expensive. In the end, we artists decide how much we want to pay for the services of a gallery. Are they doing a good job for me? Are they honest, fair, and working hard to sell my work?

After all, I can and have sold work just as well on my own, so do I really need a gallery?  Probably not, but there might be some reasons why I want a gallery. The first reason that comes to mind: Because it gives me a credential with collectors. But that creditial is going to cost me in time, money, shipping costs. The last cost that I want to add to this list is stress. I have no time to tolerate illegal actions on the part of the gallery such as keeping funds that are due me in a timely manner.

When My Gallery Is Dishonest

When a gallery dealer has not let me know that work was sold, sold it for more than I stated and kept the difference, or was months late with money due, I fired the gallery. In one case, I the funds due me were two years late.

When I've worked with gallery dealers who do an excellent and honest job for me, I continue to work with and often befriend the owners. It's an amazing and wonderful experience when working with a great gallery.

So when you enter a business relationship with a gallery, make sure you enter with confidence and a sense of strength. If all artists do this, we'll end up with a cleaner system - one with more equity.  Don't forget to read Stapleton Kearns' post if you haven't gotten around to it:  Here
Comment on or Share this Article >>
<< Newer Posts    Older Posts >>

Artist Websites by FineArtStudioOnline
Mobile Site | iPhone Site | Regular Site